Although I am really serious about organic agriculture and totally committed to sharing ideas about forest garden poultry, most of what we do on a daily basis here is also a lot of fun. And to reflect that in this blog post, I write these words 'and now for something completely different....'
Wispy - a very noble and ethereal Halloween hen!
If you have been following my posts or films then you will know that we have some very beautiful and friendly
Polish crested poultry and this year is no exception. Our Polish hen Giddy, (hatched in the garden three years ago by Garbo), herself went broody in Spring and in true eccentric crested Polish fashion, had a protracted hatch in the very top corner of the dovecote. So protracted in fact that I had to get in a permanent foster mother for the first two chicks, as Giddy was glued to the nest. In effect things worked out really well, as the mother I chose was Slippers and as expected, she became a fantastic, caring mother. One of her chicks is a pure chamois crested Polish Frizzle (pictured above in full vampire costume) and the other is a very happy-go-lucky fluffy chamois chick of Bunny, Giddy's half-sister who was also laying in the dove cote.
Cute & cuddly not the usual vampiric epithet
The Polish crested
are a very ancient race and looking at our family, including the magnificent golden black-laced frizzled Father, Spike, I got the idea they would make brilliant Gothic portraits, particularly the chamois Frizzles, who both have an ethereal, other-worldly look. Similarly our cute little golden chick (right) whose crest has a double Bela Lugosi, widow's peak! Rather than just mock up the portraits I decided to make vampyre costumes for them all and then photograph them and frame them all in an old Hogarth frame I have on the kitchen wall. Our golden chick is
so laid-back, I used him as a model to plan the design and check all
the fittings. In case he got bored with this, I gave him a treat each
time, so he actually loved putting on the costume, as he associated it
with pasta, which he adores! I've also entered them all in the Halloween costume contest on Instructables just for fun and also because they have some great prizes including a camera and a sewing machine. Rather spookily and as I was about to sew up Spike's vampyre waistcoat, my sewing machine started to ooze a waterfall of smoke from its base very much in the way Dracula transmogrifies into mist to gain entrance to Lucy's room through the sash window in Bram Stoker's masterpiece. Similarly the automatic focus started to play up on our camera lens, the moment I started to take chicken vampyre pictures. So wish me luck!
MATERIALS
I spent
nothing on these costumes, as I made them all out of remnants, old
clothes, bits of ribbon, upcycled beads from an old cardigan, broken
junk jewellery, end-of-sale Christmas decorations and the fabric of a black dress I
had started to make years ago and found at the bottom of the wardrobe,
still pinned to the pattern pieces!
DESIGN
My design was based on a baby's bib shape as I believed this would be an easy none threatening design to work on for a chicken. As you perhaps have seen in my blog, I've already made winter coats for our older Frizzles based on turkey saddles or hen aprons to successfully combat cold stress. However, to make these costumes work from the front, I needed to design something which looped over the head and fastened securely around the back. In fact just like a baby's bib. This could then be
quite elaborate in design but easy to put on and take off and
comfortable to wear. The main remit for this whole project was to have fun, all of us including the chicks and to cause no stress or angst to any of us in its execution! Furthermore, for
Giddy's costume, I decided to add
a press stud to the loop over the head, since, as her name suggests,
she can get worried by unusual happenings and I didn't want to cause
her any possible stress. I also made her back fastening as just a
simple two ribbon tie, as I knew she would be impatient with me
fastening a hook and eye!
My idea was
for a Gothic, aristocratic vampire style and I created several fake
orders and sashes to give the appropriate look. I actually researched
how these were worn. The orders should be paired with a white tie but
the only white ribbon I had was too thin to make a good bow and looked
tacky, so I changed to black and grey. As I saw a picture of a member of
a Royal family at an event in a black bow tie and order, I guessed it
was no big deal! For the least possible stress to the
chicken and for the best possible costume, I decided to base the male
costumes on a 1920's 'boiled' shirt and dress waistcoat and the female
ones on a dress with a stiffened yoke. This meant there would be nothing
distracting or uncomfortable but I hoped it would look elegant and fit
well. I also wanted a
filmic look too, so used just four colours and to add to the Gothic
look, sculpted and ruched my fabrics for the dresses. This also fitted
well with my choice of frames, which was an old Hogarth (yellow mount
and black and gold border). So I chose bold colours, which enhanced in
particular the wispy, ghostly, ethereal look of the chamois Frizzles. I
also went with the old artistic and early Expressionist cinema idea that if you were
going to portray the illusion of horror or spookiness then your designs
should be asymmetrical.
MEASUREMENTS
If your birds have not been handled much
before, then it is a good idea to do the measurements at night and
somewhere warm, where they will feel relaxed. The pictures below show me
following the old maxim of 'measure twice cut once'. I had already
measured them in the garden but still wanted to check again before I
started on the design. As previously mentioned, these costumes, would fit from the front and
be fastened by a loop over the head and with a ribbon and hook and eye
fastening over the back. Therefore the measurements I took were:
from the nape of the neck and then along the back for the length of cape (more of this later)
across the top of the breastbone
from the top of the breastbone around the back of the head and to
the other side, to give me the length of the head loop
a guesstimate of the length of the 'bib', which also gave me a rough idea of the width of its base
the circumference of the body, to work out the length of ribbon needed for the back ties.
SHIRT FABRICATION AND DESIGN CHANGES
Bela made an excellent model
Starting with the idea that I would
plan all my costumes around a base template of a 'bib' cut in heavy duty
hat stiffener, I cut a trial piece for the small chick and tried it on him. In fact, I tried the
costume on Bela, at different stages
in the design process and I altered some of my original ideas because of
comfort and practicality as well as aesthetics. I will show you these
stages too, as I think they are an important part of the process and
may be of help.
During the fitting, I found the costume was too rigid and so I amended the design to cut the stiffener in half and just use it at the top of the shirt. I then cut two pieces of the soft cotton shirt material to give the required dress-shirt front stiffness but pliable enough to fit comfortably around the small chick's body contour.
The stiffener for the large shirt, Spike's, I cut like an
old-fashioned 'boiled' or dress shirt with the stiffener looking rather
like a flat topped mushroom, I then tacked this to just one thickness of soft
cotton as intended in the original design.
MAKING THE WAISTCOAT AND FASTENINGS
The
waistcoat followed a 1920's/30's design and I just scooped out the
centre of my 'bib' pattern and then cut two pieces of scrap soft grey
felt and planned to fasten them together with two pearl beads.
A note
here about jewels. Birds love shiny things, they are all magpies at
heart, so any beads, sequins or other exciting goodies need to be sewn
down well to the fabric!
The 'bib' nature of the design allowed me to plan everything in the flat. At
all stages in my fabrication of the design, I just tacked the elements to the costume with
long running stitches (see photo below), that way I allowed for
alterations after fitting.
As you can see from the photo opposite, I initially had the idea of fastening the waistcoat at the bottom but I found this impractical as Bela caught his claw in it when he tried it on.
By this stage I had fitted
Bela's costume again and worked out that the neck loop needed to be
shortened and that the ribbons to fasten the costume across the back
needed to be positioned half way up the shirt. This seemed much more
comfortable and stopped the birds risking getting their claws caught in
the ribbons.
Having tacked in the
double sash of Spike's costume, fitted in the ribbon fasteners and his
waistcoat to the shirt, I proceeded to machine stitch the costume
together. I then fitted the neck loop to the top of the costume by hand.
THE CAPE - FABRICATION AND ATTACHMENT
Next I made the small cape. I cut the cape by tracing a six inch sandwich
plate onto a piece of paper to get a half circle. I cut two of these,
one in black fabric from my abandoned dress and the other from a damaged
red silk blouse. I used pinking sheers to get a classic vampire bat
effect and also so that the fabric wouldn't fray. I put a running stitch
of red silk around the whole cape and then tried it on Bela. I already
had the idea that a full cape wouldn't suit. One because it didn't sit
well on a chicken and also because birds naturally dislike anything that
flaps, it reminds them of hawks and falcons, both of which we have
problems with from time to time.
My
idea was to draw up the stitching and create a Gothic ruched vampire
collar, which would hint at a grand flowing cape. This was then to be
attached to the neck loop and finished in a ruched collar at the neck
and to hide the top of the waistcoat or dress strap
FABRICATION - DRESSES
To give some shape to the top of the dresses, I cut a yoke for each in the heavy -weight hat stiffener. This gave a good solid base for anchoring the neck loop.
For Wispy's dress, I cut a yoke to her
measurements and then the fabric several sizes larger (above right). I
sculpted this fabric by ruching the material with running stitches.
I then gathered them up in a haphazard way for a classic vampire
bodice.
I sewed the fabric to the yoke...
...and decorated it with jewels - very firmly sewn down!
Both yokes then had skirts attached, with fabric remnants cut and then gathered and sewn in an asymmetrical, uneven manner.
I kept trying the dress on Wispy as we went along to make sure the
design was comfortable and was fitting and sitting well on the bird.
The
main thing with the design for Giddy was KISS, Keep it Simple Stupid,
as Giddy can get flustered and annoyed if anything untoward happens.
Giddy and therefore Giddy's dress has
less of the 1800s and more of the 1960s about it. I think it is her
bouffant hair do, which I created by default because when she hatched
her chicks, they were freaked out by her crest, which Giddy due to her
love of compost heaps, had managed to get into rather a state. Although I
had washed her crest and I hate doing this because it removes all the
natural oils, Giddy had managed to stick her feathers together in such a way
that it was impossible to free them. So I gave her a trim and it regrew
like this. Thus Giddy's costume has more of Hammer
House of Horror than of Lord Byron, Sheridan Le Fanu, Bram Stoker and Carl
Laemmle Jr. but I think she looks fab. She is also notoriously
difficult to photograph as when you pick her up she always expects to be
fed and is always on the look out for a tasty snack, as here where she
is looking for spiders in the wall.
You can see Spike looking for spiders too in his
photograph but much more casually, as he is actually very used to being
photographed and I believe, poses. He's a large rooster/cockerel but looks quite diminutive against the house wall.
This
was such great fun to do and I hope if you have chickens or any other
animals, birds, creatures or even babies that would suit this sort of
costume, you will have fun designing and making them too. There will be a film on this project, also showing more of our crested Polish flock, coming shortly.
Hope
you have enjoyed this article and if you have, then think about sharing
it, giving it a plus or maybe joining the blog or my YouTube Channel. Also if you are in Instructables then visit the project there too.
..and now the film
All the best and hope to see you next time. Happy Halloween or Samhain from Normandie,
Sue
MATERIALS
To give some shape to the top of the dresses, I cut a yoke for each in the heavy -weight hat stiffener. This gave a good solid base for anchoring the neck loop.
For Wispy's dress, I cut a yoke to her
measurements and then the fabric several sizes larger (above right). I
sculpted this fabric by ruching the material with running stitches.
